Antiquarian Booksellers Association
Unsworth's Booksellers
International League of Antiquarian Booksellers

Ames, Joseph: (Herbert, William, add.; Dibdin, Thomas Frognall, ed.:) Typographical Antiquities or The History of Printing in England, Scotland, and Ireland. Hildesheim: Georg Olms Verlagsbuchhandlung, 1969. Facsimile edition. 4 vols., 8vo., pp. xx, 390, (ii); (x), v, (i), 614, (4); (x), iii, (i), 615, (iii); (x), ii, (i), 623, (i). Brown cloth, black and gilt label to spine. Top edges a little dusty,small mark to upper board vol II, very good indeed. Facsimile of the third edition. In the Anglistica & Americana series of reprints.   Ref: 51977 
£100
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[Annual] Kennedy, William: (Prout, Samuel, illus.:) The Continental Annual, and Romantic Cabinet for 1832. London: Smith, Elder, & Co., 1832. Large paper. 8vo., p. [x], 313, [i] + frontispiece, additional engraved title-page and 11 further engraved plates. Most plates with their protective tissues neatly excised, one tissue (over 'View in Metz' plate) with a small square cut out. Sporadic foxing, mostly affecting plates and their adjacent leaves. Burgundy textured sheepskin, gilt spine and borders, a.e.g., yellow endpapers. Spine faded with a few scrapes, rubbed, corners worn but a very good, sound copy. To top corner of ffep, tiny blindstamp of Remnant & Edmonds, Binders, Paternoster Row. Recent pencilled ownership inscription to ffep. Inscription to preliminary blank: 'From her brother Jim, with much love, and all best hopes,/ to Clara A. Allan, in memory of 1885./ [illegible place name?]. July 20. 1907.' The illustrator Samuel Prout (1783-1852) was a master of architectural watercolour painting, and was a sometime teacher of John Ruskin. He was appointed 'Painter in Water-Colours in Ordinary' to King George IV in 1829, and afterwards to Queen Victoria.   Ref: 51733 
£160
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[Annual] Roscoe, Thomas: (Harding, J.D., illus.:) (The Landscape Annual for 1832:) The Tourist in Italy. London: Jennings & Chapman, 1832. Large Paper. 8vo., pp. [viii], 286, [x] + engraved frontispiece, additional title-page with engraved vignette, plus 24 further engraved plates. Eight-page publisher's catalogue at rear. Sporadic foxing, some images toned with transfer to their protective tissues but others clean. Textured green sheepskin, gilt title to spine, raised bands, blind-tooled borders, a.e.g., yellow endpapers. Spine a bit faded, slightly rubbed with some wear to corners, small chip to bottom edge of upper board, very good overall. Recent pencilled ownership inscription to ffep, initials E.W. inked to top corner. Tiny binder's label of F. Westley, Friar Street, Near Doctor's Commons (London), at bottom edge of rear paste-down. The third of the publisher's Landscape Annuals.   Ref: 51732 
£200
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[Annual] Roscoe, Thomas: (Prout, S., illus.:) (The Landscape Annual for 1830:) The Tourist in Switzerland and Italy. London: Robert Jennings, 1830. 8vo., pp. [vii], 278, [ii] + 26 plates including additional engraved title-page, as called for. Each plate protected by a slightly foxed tissue, but only very occasional spots of foxing elsewhere. Slight separation at gutter between frontis and engraved title. Green textured sheepskin, gilt title to spine, a.e.g.. Spine faded, a bit rubbed, lower corners bumped but a very good, sound copy overall. Signed to preliminary blank by the illustrator to his eldest daughter, Rebecca Elizabeth (b.1813). Recent pencilled ownership inscription to ffep. Samuel Prout (1783-1852) was a master of architectural watercolour painting, and sometime teacher of John Ruskin. He was appointed 'Painter in Water-Colours in Ordinary' to King George IV in 1829, and afterwards to Queen Victoria. The plates in this volume were engraved under the direction of the celebrated engraver Charles Heath (1785-1848).   Ref: 51731 
£200
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Anon: (Smith, Dulcie Lawrence, trans.; Smith, Eileen Lawrence, illus.:) Aucassin and Nicolete. A Twelfth-Century Romance. London: Andrew Melrose, 1914. 4to., pp. [iv], 69, [i] + plates, some colour. Printed in red and black. Quarter faux-vellum, blue paper-covered boards, gilt title to spine and upper board, t.e.g., other edges uncut. Internally bright and clean. Spine a little grayed, free endpapers toned, otherwise very good indeed. An anonymous medieval French chantefable, or combination of prose and verse, known from only one survivng manuscript discovered in 1752 by Jean-Baptiste de la Curne de Sainte-Palaye.   Ref: 51159 
£40
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Arden, John: Silence Among the Weapons. Some Events at the Time of the Failure of a Republic. London: Methuen, 1982. First edition. 8vo., pp. [viii], 343, [i]. Grey cloth, gilt title to spine. Toned, slight separation between title and half-title pages, still very good. Shortlisted for the 1982 Booker Prize but lost out to Schindler's Ark.   Ref: 51642 
£20
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Arnold, Edwin: With Sa'di in the Garden or, the Book of Love, Being the 'Ishk' or Third Chapter of the 'Bôstân' of the Persian Poet Sa'di. London: Trübner and Co., 1888. Third edition. 12mo., pp. viii, [ii], 211, [xxv]. Publisher's list to rear. Red cloth, gilt, silver and green pictorial upper board. Spine sunned, head- and tail-caps and corners worn, boards and edges a little grubby, small tear to f.f.e.p. but still very good. Ownership inscription of E. Smith. '91 to front paste-down.   Ref: 42681 
£20
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Auden, W.H.: (Mendelson, Edward, ed.:) Forewords and Afterwords. London: Faber and Faber, 1973. First edition of this collection. 8vo., pp.xi, [i], 529, [i]. Clean and bright within. Buff-coloured boards backed with green cloth, gilt title to spine. Top edge a little dusty, very good indeed. The essays in this collection were written as reviews, mainly for the New York Review of Books and The New Yorker, or as introductions to various works by other authors.   Ref: 51809 
£35
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Banks, Iain M.: Look to Windward. London: Orbit, 2000. First edition. 8vo., pp. [x], 357, [i]. Internally clean. Black cloth, bronze title to spine. Vague creasing to tailcap, very good overall. Sixth of the Culture novels.   Ref: 51479 
£20
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Banks, Iain: The Bridge. London: Macmillan, 1986. First edition, signed by the author. 8vo., pp. [x], 259, [i]. Very slightly toned towards page edges. Blue cloth, gilt title to spine, very vague crease to headcap but very good overall. Autographed to title-page. When interviewed by SFX Magazine in 1994 The Bridge was Banks' favourite of his novels, as well the one he thought to be technically the best. "Definitely the intellectual of the family, it's the one that went away to University and got a first. I think The Bridge is the best of my books."('The Books of Iain Banks - and Iain M. Banks')   Ref: 51373 
£175
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