Bobbin, Tim, pseud. [Collier, John]; Bamford, Samuel; The Dialect of South Lancashire, or Tim Bobbin's Tummus and Meary: with his Rhymes and an Enlarged Glossary of Words and Phrases [...] London: John Russell Smith 1854. 12mo., pp. xxii, 266. One leaf (89-90) bound out of order (after 91-92). Edges untrimmed, a touch of spotting in one or two places, faint waterstain to gutter of front endpapers. Red textured cloth, blind-stamped border to boards, gilt to spine, spine sun-faded (and boards a little bit as well), boards very slightly scuffed and showing one or two tiny marks, spine bumped head and tail. Bookseller's ticket to upper pastedown and embossed stamp to f.f.e.p. Contains works in prose and verse by Tim Bobbin, a pseudonym of the caricaturist and satirist John Collier (1708-1796), illustrating the South Lancashire dialect, with a glossary of words and an introduction by Samuel Bamford. Tomlinson 90 Ref: 22148show full image..
Bobbin, Tim, pseud. [Collier, John]; Bobbin, Tim, the Second, pseud. [Walker, Robert]: Miscellaneous Works [...] containing his View of the Lancashire Dialect, with large Additions and Improvements; also, his Poem of the Flying Dragon, and the Man of Heaton; Together with Other Whimsical Amusements in Prose and Verse. To which is added, a L Salford: printed by Cowdroy & Slack, 1812; . 8vo., pp. [ii], 240 + 19 plates; 89, [i] + 7 leaves of plates including portrait frontispiece. Title-page of the second work bound preceeding the first. A bit toned, some pages grubby, occasional marks and smudges, some marginal tears but no loss of text. Contemporary dark brown sheep, rebacked in mismatched purplish morocco, endpapers renewed. Rubbed, edges worn, corners fraying but still sound within its binding. Illegible ownership inscription to ffep. Originally issued in parts, contains two works generally found together: the first by Tim Bobbin, a pseudonym of the caricaturist and satirist John Collier (1708-1796); the second by 'Tim Bobbin the Second', Lancashire radical Robert Walker, first published in 1801. Tomlinson 51 Ref: 51267
Boissier, Gaston: La Religion Romaine. D'Auguste aux Antonins. Paris: Librairie Hachette et Cie., 1906. 2 vols. in 1. Small 8vo., pp. xiv, 403; 413. Cream cloth, gilt-lettered and decorated, spine label, spine browned, boards grubby, slight shelf wear to edges, endcaps and corners, edges dusted, top edge gilted, foxing to free end-papers, still very good. Gilt-embossed stamp 'Schola Civitatis Londinensis' (City of London School) to upper board. Ref: 48781
[Book of Common Prayer] Book of Common Prayer and Administration of the Sacraments and Other Rites and Ceremonies of the Church, According to the Use of the Church of England Together with the Psalter or Psalms of David, Pointed as they are to be Sung or Said in Churches. London: Engraven and Printed by the Permission of Mr Baskett, Printer to the King's most Excellent M 1717. 8vo., pp.xxii, 166, [ii]. Silverplate engraving throughout, with ornate borders, initials and decorations, and copious illustrations. Volvelle to p.v, single-page publisher's list to rear. Faint toning, volvelle repaired at point of attachment but functional. Recent brown morocco, raised bands, gilt spine with title, a.e.g., very good. 'The effect is harsh and dazzling in the extreme, and surely none but the most enthusiastic devotee ever yet prayed to heaven from the text of Sturt's prayer-book.' (Dibdin, Bibliographical Decameron p.116) Generally considered the most spectacular of Sturt's productions, the entire text is engraved rather than typeset, and is lavishly ornamented. Sturt (1658–1730) specialised in miniature work and was renowned for having engraved the Lord's Prayer in the space of a silver halfpenny and the Creed within that of a penny. Here his frontispiece portrait of King George I showcases this skill, being composed of the Creed, the Lord's Prayer, the Ten Commandments, a prayer for the royal family, and Psalm 21, all inscribed in lines of tiny characters across the King's profile. The overall effect disquiets Dibdin to a degree this cataloguer cannot recall seeing before, as he describes the miniscule text 'running horizontally and directly across the physiognomy of his Majesty. These sacred parts of our Liturgy were perhaps never before so unpicturesquely introduced.' He recovers his composure though, and admires the book's visual impact if not its practicality: 'The effect is harsh and dazzling in the extreme, and surely none but the most enthusiastic devotee ever yet prayed to heaven from the text of Sturt's prayer-book.' (Dibdin, Bibliographical Decameron p.116) Five variants are listed by the ESTC, this copy being that with a cherub-filled border to page v, and no numeral in the head margin. ESTC T141241 Ref: 51511show full image..
[Bookselling ephemera] Sidney Kiek & Son advertisement. London: Sidney Kiek & Son, n.d.(c.1900). Single leaf advertisement (160 x 78mm) for the firm's Clearance Lists, 'The small prices at which many good books, perfectly NEW, are sold off after the first demand has been met will astonish you.' Sidney Kiek & Son were theological booksellers and publishers. Ref: 51672
Box, Edgar, pseud. [Vidal, Gore]: Death Likes It Hot. London: William Heinemann, 1955. First UK edition. 8vo., pp.[iv], 212. Black cloth, gilt title to spine. Patches of staining to fore-edge corners of free endpapers front and rear (possibly from metal clips?) transferring a little to half-title and final leaf, edges lightly toned, good. Small inkstamp of Tyrell's Book Shop, Pacific Highway to front paste-down. Originally published in the US in 1954, Death Likes it Hot was the last of Vidal's Edgar Box novels. The pseudonym allowed him to earn a living while the controversy surrounding the publication of his 1948 novel The City and the Pillar died down. Ref: 51550
Brant, Sebastian: (Zeydel, Edwin H. trans.:) The Ship of Fools. Columbia University Press, 1944. First edition thus. 8vo., pp. viii, [ii], 399, [i]. Illustrations in the text. dark green cloth, gilt title to spine, top edge sprinkled blue. A little rubbed, edges a bit toned, very good. Translated into rhyming couplets with introduction and commentary by Edwin H. Zeydel. Reproduces the original woodcut illustrations. Number XXXVI of the Records of Civilization Sources and Studies series (Austin P. Evans, ed.). Ref: 51638
Brinton, Thomas: (Devlin, Sister Mary Aquinas, ed.:) The Sermons of Thomas Brinton, Bishop of Rochester (1373-1389). London: Royal Historical Society, 1954. 2 Vols. 8vo., pp. xxxviii, 240; 278. Blue cloth, a little soiled to spine and edges. Gilt to spines. Camden Third Series LXXXV Ref: 37709
Britton, John: The History and Antiquities of the Cathedral Church of Salisbury; Illustrated with a Series of Engravings [...] London: M.A. Nattali, 1836. Large 4to (300 x 230mm), pp. viii, 113, [i], 10 + additional engraved title-page, and 31 further plates as called for. Occasional light foxing, a few faint smudges. Slightly later half brown calf, raised bands, gilt title to spine, blue textured cloth-covered boards, top edge gilt, marbled endpapers. Spine a bit scuffed, endcaps and corners worn, a little rubbed but very good. Publisher's catalogue to rear. Ref: 51327
(Brome, Alexander:) A Collection of Loyal Songs Written Against the Rump Parliament: Between the Years 1639 and 1661. Containing a great variety of merry and diverting characters of the chief sectaries, who were the principal actors in that whole scene of affairs. With an historical introduction to the whole. London: Printed for J. Stone [...] 1731. 2 vols., 12mo., pp.[xiv], 264; [vi], 288. With woodcut initials, head- and tail-pieces. Each volume bound without its initial blank, very occasional light spots and smudges but generally very clean within. 19th-century deep maroon cross-grain morocco, spines ornately gilt with raised bands and title & volume labels, fine gold borders, corner tools and dentelles to each board, a.e.g., marbled endpapers. Raised bands slightly rubbed, upper joints a little worn and corners a little worn. A very good, attractively-bound set. Ink inscription to a preliminary blank, 'Simon / from Daddy. 1939.' Tiny inkstamp to each ffep verso, 'Bound by Lloyd, London'. An expanded edition of Brome's Ratts Rhimed to Death: Rump-Parliament hang'd up in the shambles, which first appeared (also anonymously) in 1660. 'Though he was a successful attorney, Brome's claim to fame derives from his avocation as poet. Between 1640 and 1660 Brome composed over 200 poems, including love poems in the cavalier mode, satires attacking the enemies of the king and, later, the Commonwealth government, drinking songs in the Anacreontic tradition, an assortment of occasional poems, translations of epigrams from the Greek and Latin, and other translations. Some of these poems were printed anonymously, while others appeared as dedications or in poetical miscellanies.' (ODNB) ESTC T145238 ; Lowndes 1593 Ref: 51879