Title: Poemata; Juvenilia; Juvenilia.
Publication: Lugduni Batavorum [Leiden] [i.e. Paris]: s.n. [Barbou] 1757.
Description: Small 8vo. (155 x 90mm), pp. [ii], iv, 124 + portrait frontispiece; x, 11-106 + portrait frontispiece; iv, [i], 4-156. No loss to the 3rd work, just unusual pagination, and no portrait called for. Woodcut printer's device (formerly used by the Elzevirs) to each title-page. Occasional very light foxing. Contemporary brown mottled calf, spine gilt with dark red morocco label, gilt borders and dentelles, a.e.g., marbled endpapers, pink ribbon bookmark bound in. Spine a little creased, very light wear to endcaps and corners, a very good, attractive copy.
Three highlights of 16th-century Neo-Latin poetry, bound together as usual. All three title-pages bear a false imprint, 'Lugduni Batavorum'; according to Brunet this edition was actually published in Paris by Barbou, and it does indeed have the appearance of a Barbou book. The first work comprises the poems of the Calvinist theologian Théodore de Bèze (or Theodorus Beza, 1519-1605,) originally published in Paris in 1548. He is most known for his editions of the New Testament: a Latin translation and a Greek critical edition. The Juvenilia of Marc-Antoine Muret (or Marcus Antonius Muretus, 1526-1585) was first published in 1552. A Classical scholar, as well as writing poetry he lectured in schools in France and Italy and was involved with the rediscovery and interpretation of ancient texts. The final work is that of Janus Secundus Nicolai Hagiensis (1511-1536). The first publication of his works was posthumous, Secundus having died very young, and appeared in Utrecht in 1541. It was edited by his brother Marius. Secundus is primarily remembered for his love poems, often known as the 'kissing poet' for his variations on two kiss poems by Catullus.
Bibliography: Brunet I, 239
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