Anacreon: Odaria, ad textus Barnesiani fidem emendata. Accedunt variae lectiones cura Eduardi Forster. Londini [London]: Sumptibus editoris excudebant Gul. Bulmer et Soc., 1802. 8vo., pp. [iv], 130. Frequent engraved head- and tail-pieces. Later green morocco, spine divided by raised bands, lettered in gilt direct, turn-ins gilt, all edges gilt. Title-page loosening, occasional minor spotting. Spine just slightly darkened, a touch of rubbing to head and corners. Armorial bookplate of Tervoe to front pastedown. An attractive printing of the Odes attributed to Anacreon, illustrated somewhat in the fashion of Pine's Horace (although the text is letterpress). Ref: 53228show full image..
Anacreon: (Brunck, Richard Francois Philippe, ed.:) Carmina. Accedunt Selecta Quaedam e Lyricorum Reliquiis. Argentorati [Strasbourg]: apud J.G. Treuttel, 1786. Third edition. 18mo., pp. [ii], 149, [i]. A little toned towards edges, some light patches of foxing. Green straight-grain morocco, raised bands and gilt title to spine, gilt borders, a.e.g.. Patchy colour fading, joints and corners worn, some scratches, still very good overall. Armorial bookplate of Thomas Sewell to front paste-down. "These are the most beautiful and accurate editions; the latter [i.e. this, of 1786] was twice published in the same year, and has the text of the Roman edition of Spalleti, but with corrections: it was a favourite edition" (Dibdin). Dibdin (4th edn.) I. 264. Ref: 51271show full image..
Anacreon; Sappho: Anacrecontis et Sapphonis Carmina. Glasguae [Glasgow]: In aedibus academicis excudebat Robertus Foulis, 1744. 8vo., pp. [iv], 108. Contemporary sprinkled calf, spine divided by raised bands. Some spotting and light browning. Label lost from second compartment, spine and edges a little darkened, slight wear to spine ends and a few scratches. Some spotting and light browning. Label lost from second compartment, spine and edges a little darkened, slight wear to spine ends and a few scratches. The larger, foolscap octavo issue, and a nicely preserved copy (apart from the loss of the spine label). Gaskell 43; ESTC T85611. Ref: 53226show full image..
Anacreon; Sappho: Hai tou Anakreontos odai. Kai ta tes Sapphous, kai ta tou Alkaiou leipsana. Glasguae [Glasgow]: Excudebant R. & A. Foulis, 1777. 8vo., pp. 100. Near-contemporary sprinkled calf (endpapers watermarked 1790), boards bordered with a gilt roll. Final gathering rather browned and with a dampmark in the gutter (this also just faintly visible at the beginning), first few leaves slightly dusty. Sometime (early 20th century?) rebacked in lighter brown leather, red morocco label, front hinge cracking a bit. Armorial bookplate of Walter Henry James to front pastedown, ownership inscription of H. Ellison, alumnus of Harrow School (dated July 1797) to initial blank. Gaskell lists two variants: a post 8vo and a foolscap 8vo with dagger signatures on the first leaf of most gatherings. This copy matches Gaskell's post 8vo in watermarks and collation, except that it has a dagger signature on A1 (but nowhere else). Gaskell 610; ESTC T84085. Ref: 53227show full image..
[Anacreon] Fawkes, Francis (ed. & trans.): The Works of Anacreon, Sappho, Bion, Moschus and Musaeus. Translated from the Original Greek. London: printed for J. Walker, J. Wallis, and J. Binns, Leeds, 1789. 2nd edition. 12mo., pp. x, 321, [iii]. English translations with notes, index to rear. A few light spots, paper taking on a blue tinge towards rear. Contemporary tan speckled calf, gilt-ruled spine with red label, gilt board edges. A little glue visible to head-cap, tail-cap worn, corner tips fraying very slightly but still very good. Francis Fawkes' (bap. 1720, d. 1777) translation of Anacreon first appeared anonymously in 1760. Fawkes was a prolific and skilled poet and translator, and a somewhat less committed clergyman: 'Overall, Fawkes's clerical career was undistinguished; in an age that tolerated much laxity in its parsons, he seems to have pursued enjoyment to the detriment of ambition. It is in some ways a fitting career for so effortless a classicist: Epicurus, with his injunction to live in happy obscurity, would not have disapproved.' (ODNB). ESTC T85627 Ref: 52264show full image..
Anderson, Michael Alan: St. Anne in Renaissance Music: Devotion and Politics. Cambridge University Press, 2014. First edition. Large 8vo., pp. xvii, 345. Illustrations, Tables and musical Examples to text. Hardback. Contents and binding mint. Dust-jacket, fine. Ref: 53254
Angelov, Dimiter G.: Church and Society in Late Byzantium. Kalamazoo: Medieval Institute Publications, 2009. 8vo., pp. 256. Paperback. New: unopened in publisher's shrink-wrap. In the series,"Studies in Medieval Culture". Ref: 53388
Anlezark, Daniel: Water and Fire: the Myth of the Flood in Anglo-Saxon England. Manchester University Press, 2006. 8vo., pp. x, 398. Purple cloth, gilt title to spine, fine. Dust-jacket very slightly shelf worn, near fine. In the Manchester Medieval Literature series (series editors J.J. Anderson and Gail Ashton). Ref: 51556
[Annual] Kennedy, William: (Prout, Samuel, illus.:) The Continental Annual, and Romantic Cabinet for 1832. London: Smith, Elder, & Co., 1832. Large paper. 8vo., p. [x], 313, [i] + frontispiece, additional engraved title-page and 11 further engraved plates. Most plates with their protective tissues neatly excised, one tissue (over 'View in Metz' plate) with a small square cut out. Sporadic foxing, mostly affecting plates and their adjacent leaves. Burgundy textured sheepskin, gilt spine and borders, a.e.g., yellow endpapers. Spine faded with a few scrapes, rubbed, corners worn but a very good, sound copy. To top corner of ffep, tiny blindstamp of Remnant & Edmonds, Binders, Paternoster Row. Recent pencilled ownership inscription to ffep. Inscription to preliminary blank: 'From her brother Jim, with much love, and all best hopes,/ to Clara A. Allan, in memory of 1885./ [illegible place name?]. July 20. 1907.' The illustrator Samuel Prout (1783-1852) was a master of architectural watercolour painting, and was a sometime teacher of John Ruskin. He was appointed 'Painter in Water-Colours in Ordinary' to King George IV in 1829, and afterwards to Queen Victoria. Ref: 51733
[Annual] Roscoe, Thomas: (Harding, J.D., illus.:) (The Landscape Annual for 1832:) The Tourist in Italy. London: Jennings & Chapman, 1832. Large Paper. 8vo., pp. [viii], 286, [x] + engraved frontispiece, additional title-page with engraved vignette, plus 24 further engraved plates. Eight-page publisher's catalogue at rear. Sporadic foxing, some images toned with transfer to their protective tissues but others clean. Textured green sheepskin, gilt title to spine, raised bands, blind-tooled borders, a.e.g., yellow endpapers. Spine a bit faded, slightly rubbed with some wear to corners, small chip to bottom edge of upper board, very good overall. Recent pencilled ownership inscription to ffep, initials E.W. inked to top corner. Tiny binder's label of F. Westley, Friar Street, Near Doctor's Commons (London), at bottom edge of rear paste-down. The third of the publisher's Landscape Annuals. Ref: 51732